Stefan Pelzer, Philipp Ruch
Es ist genau ein Jahr her, dass der Adenauer SRP+ in der Halle des 38C3 stand. Damals war er noch eine Baustelle, aber schon bald machte er sich auf den Weg, um Geschichte zu schreiben. Wir nehmen euch mit auf eine Reise: von Blockade über Protest, von Sommerinterviews bis zu Polizeischikanen lassen wir ein Jahr Adenauer SRP+ Revue passieren. Das könnte lustig werden. Außerdem: alles zum Walter Lübcke-Memorial-Park, den wir gerade direkt vor die CDU-Zentrale gebaut haben. Owei owei: Das wird viel für 40 Minuten.
Christiane Mudra
"freiheit.exe“ ist eine Lecture über die ideologischen Rootkits des Silicon Valley. Sie schlägt den Bogen von den italienischen Futuristen zu den heutigen Tech-Feudalisten, vom Akzelerationismus zur Demokratieskepsis der Libertären, von Tolkien zur PayPal-Mafia. Basierend auf den Recherchen zu meinem Theaterstück "freiheit.exe. Utopien als Malware", in dem journalistische Analyse auf performative Darstellung trifft.
bleeptrack
Join bleeptrack for a deep dive into the fascinating world of procedural generation beyond the screen. From stickers and paper lanterns to PCBs, furniture, and even physical procedural generators, this talk explores the challenges and creative possibilities of bringing generative projects into tangible form.
Nicolas Rougier
Typography is the art of arranging type to make written language legible, readable, and appealing when displayed. However, for the neophyte, typography is mostly apprehended as the juxtaposition of characters displayed on the screen while for the expert, typography means typeface, scripts, unicode, glyphs, ascender, descender, tracking, hinting, kerning, shaping, weigth, slant, etc. Typography is actually much more than the mere rendering of glyphs and involves many different concepts. If glyph rendering is an important part of the rendering pipeline, it is nonetheless important to have a basic understanding of typography or there’s a known risk at rendering garbage on screen, as it has been seen many times in games, software and operating systems.
Philo
What does knitting have to do with espionage? Can embroidery help your mental health? This talk shows how the skills to create textile art have enabled people to resist and to persist under oppressive regimes for centuries. And it offers ways to keep doing so.
Lyra Rebane
CSS is a programming language, and you can make games in it. Let's install NoScript and make some together!
Ting-Chun Liu, Leon-Etienne Kühr
Generative AI models don't operate on human languages – they speak in **tokens**. Tokens are computational fragments that deconstruct language into subword units, stored in large dictionaries. These tokens encode not only language but also political ideologies, corporate interests, and cultural biases even before model training begins. Social media handles like *realdonaldtrump*, brand names like *louisvuitton*, or even *!!!!!!!!!!!!!!!!* exist as single tokens, while other words remain fragmented. Through various artistic and adversarial experiments, we demonstrate that tokenization is a political act that determines what can be represented and how images become computable through language.
jiawen uffline
when datasets are scaled up to the volume of (partial) internet, together with the idea that scale will average out the noise, large dataset builders came up with a human-not-in-the-loop, cheaper-than-cheap-labor method to clean the datasets: heuristic filtering. Heuristics in this context are basically a set of rules came up by the engineers with their imagination and estimation to work best for their perspective of “cleaning”. Most datasets use heuristics adopted from existing ones, then add some extra filtering rules for specific characteristics of the datasets. I would like to invite you to have a taste together of these silent, anonymous yet upheld estimations and not-guaranteed rationalities in current sociotechnical artifacts, and on for whom these estimations are good-enough, as it will soon be part our technological infrastructures.
Enna Gerhard, Frieder Nake
What power structures are inherent to the field of computer-generated art? In the year 1965, so 60 years ago, the first three exhibitions of art created with the help of computers took place - in part independently of each other. We want to present the interesting aspects of developments since then and discuss them with Frieder Nake, one of the people who exhibited in those very beginnings and followed those developments with a critical attitude.
Bernd
A brief history of typographic misbehavior or intended and unintended uses of variable fonts. Nine years after the introduction of variable fonts, their most exciting uses have little to do with what variable fonts originally were intended for and their original promise of smaller file sizes. The talk looks at how designers turned a pragmatic font format into a field for experimentation — from animated typography and uniwidth button text to pattern fonts and typographic side effects with unintended aesthetics. Using examples from projects such as TypoLabs, Marjoree, Kario (the variable font that’s used as part of the 39C3 visual identity), and Bronco, we’ll explore how variable fonts evolved from efficiency tools into creative systems — and why the most interesting ideas often emerge when technology is used in unintended ways.
Johanna-Leonore Dahlhoff, Peter Klohmann, Alireza Meghrazi Solouklou, Mirweis Neda, Maria Carolina Pardo Reyes, Eduardo Sabella, Sarah Luisa Wurmer, Berivan Canbolat
Das Bridges Kammerorchester hackt die klassische Musikszene, indem es die Regeln des traditionellen Konzertbetriebs aufbricht: Musiker*innen mit und ohne Flucht- und Migrationsbiografie bringen Instrumente wie Oud, Tar, Kamanche oder Daf in die europäische Orchestertradition. Statt überwiegend Werke verstorbener männlicher, europäischer Komponisten zu spielen, komponieren die Mitglieder ihre Musik selbst – ein radikaler Perspektivwechsel hin zu Vielfalt und Selbstbestimmung. Im Vortrag zeigen sie anhand von Hörbeispielen und persönlichen Geschichten, wie diese Hacks entstehen und machen im Anschluss in einem Konzert die musikalische Vielfalt live erlebbar.
yomimono
I wanted to design beautiful header diagrams and ASCII tables suitable for stitching on throw pillows, but found existing tools for cross-stitch design to be all wrong. I made my own set of command-line tools for building this chunky, pixelated visual art. If you've never seen a cross-stitch sampler that had bitrot, this talk will fix it.
Helena Nikonole
This presentation examines artistic practices that engage with sociotechnical systems through tactical interventions. The talk proposes art as a form of infrastructural critique and counter-technology. It also introduces a forthcoming HackLab designed to foster collaborative development of open-source tools addressing digital authoritarianism, surveillance capitalism, propaganda infrastructures, and ideological warfare.
Thomas Knüsel
Milliarden von Kameras produzieren täglich Bilder, die zunehmend von Maschinen analysiert werden. In dieser Lecture Performance beleuchten wir die Entwicklung des maschinellen Sehens – von den frühen algorithmischen Ansätzen bis zu den heutigen Anwendungen – und schauen, wie verschiedene Künstler:innen diese Technologien nutzen und reflektieren. Anhand der beiden Arbeiten „Throwback Environment” und „Fomes Fomentarius Digitalis” betrachten wir die Nutzung des maschinellen Sehens in einem künstlerischen Feedback-Loop. Die Arbeiten machen sichtbar, was die eingesetzten Algorithmen sehen und in welchen Mustern sie operieren.
Nika Dubrovsky
The talk is about the ideas behind setting up the David Graeber Institute and the Museum of Care. The Survival Kit Collection brings together collectives developing open source "social technologies" —spirulina farms, self-replicating 3D printers, modular housing, low-cost water systems, and ... art and education. In 2019, together with David Graeber, we held the first workshop about the Museum of Care at CCC to reimagine the relation between freedom, technology and value. Over these 6 years, the Museum of Care and the David Graeber Institute have experimented with various projects: the survival collection, Visual Assembly, and creating an open space for horizontal knowledge production—something we hope to develop into an actual University.
Karim Hamdi
Hegemony Eroding is an ongoing art project exploring how generative AI reflects and distorts cultural representation. Its name speaks to its core ambition: to bear witness to the slow erosion of Western cultural hegemony by exposing the cracks in which other cultures shine through. This talk will discuss the blurry boundary between legitimate cultural representation and prejudice in AI-generated media and how generative AI can be used as a tool to explore humanity's digital foot print. It is permeated by a critique of purely profit-driven AI development and it's tendency to blunt artistic exploration and expression.
Torsten Roeder
Encoding isn’t just for machines — it’s how humans shape meaning. This talk traces 35 years of hacking text through the Text Encoding Initiative (TEI), a community-driven, open-source standard for describing the deep structure of texts. We’ll explore how TEI turns literature, research, and even hacker lore into machine-readable, remixable data — and how it enables minimal, sustainable self-publishing without gatekeepers. From alphabets to XML and the Hacker Bible, we’ll look at text as a living system: something we can read, write, and hack together.
Vale
All styles Punk from hc, grunge and garage to indie, pop and post, female fronted only.
Alex Thurow
A time travel DJ set back to the times of the millennium change… … to the times of the prevented [Y2K apocalypse](https://en.wikipedia.org/wiki/Year_2000_problem) … to the times of the [Dot-com bubble](https://en.wikipedia.org/wiki/Dot-com_bubble) (… it’s about time AI, isn’t it?) … to the times of a [VERY problematic seed being planted](https://en.wikipedia.org/wiki/2000_Russian_presidential_election) … but most importantly to the times of the glorious: [| G.--. || R.--. || Ü.--. || N.--. || S.--. || P.--. || A.--. || N.--. |](https://www.gruenspan.de/) Back when ROCK was alive and kickin’ in „Hamburg meine Perle“! So, if you want to get a LOUD blast from the past - come join us and bring your [Pommesgabel](https://de.wikipedia.org/wiki/Mano_cornuta) with you! Live long and prosper, [DJ Alex](https://mstdn.social/@alexthurow/110279531725018974) (AKA: [https://onmoderndev.de](https://onmoderndev.de))
DJ Baba Grande
one hour of punk music, encompassing many different styles
Katja Ruge
„Planetary Visions“ with Katja Ruge (Can Love Be Synth/Synthesizerstudio HH, Electric Lights/Planetarium HH) Katja Ruge’s DJ sets are a seamless fusion of Italo, New Wave, Cosmic Sounds, 80s, Dark Disco, and Electro.
RSS Disco
From crackling Kraut and Disco records to hyper produced Techno tracks - dance music has come a long way in the last six decades, and was always strongly influenced by evolving technology. Dance music’s history is a feedback system between culture and circuitry. Each new invention—from the disco subwoofer to today’s neural-driven mastering tools—reshapes sound itself. RSS Disco’s timeline approach celebrates this continuum: a story of machines learning to groove, and humans learning to listen differently through them.
Steve
Als Part der ToxicFamily, die seit mittlerweile 25 Jahren Label, elektronisches Magazin, Veranstalter und einfach eine Institution in Frankfurt ist, fördert Steve, der übrigens einer der dienstältesten Residents des Tanzhaus West in Frankfurt ist, aktiv die Frankfurter Underground Clubszene und vor allem den Nachwuchs. Ob es ein Gig bei der Toxic Family Radio Show im lokalen FM Radio ist, ein CDJ Lehrgang oder einfach nur aufmunterte Worte während eines Sets - viele Frankfurter DJs haben eine Geschichte über Steve zu erzählen. Wenn Steve House Musik spielt, sieht man oft DJ Kollegen mit gespitzen Ohren an der Bar stehen - oder auch mal mitten auf der Tanzfläche - weil das Barpersonal selbst auf der Theke tanzt.
Angie Taylor
Angie Taylor is specialized in Hybrid Techno LIVE-DJ SETS, often blending it with live bass guitar and vocals to create a unique, electrifying hybrid Techno experience.
Nina_art&play
Heute Nacht wird der Dancefloor zur globalen Schnittstelle. YMNA kalibriert mit ihrem Mix aus global inspirierten Soundscapes und moderner Club-Musik unsere Sinne neu. Es ist die perfekte Balance zwischen dem Rohen, Ursprünglichen und der polierten Kraft des heutigen melodischen Techno.
Hüp Now
We are well aware of the fact, that as DJs we play other peoples´(as well as our own) music. This means we want to ensure the musicians get the credit and respect they deserve for their work. Whenever reasonably possible (communication get quite intense for us at times) we´ll be happy to supply track IDs, although sometimes it may take a little while. Also we´re happy about reposts if you like what we´re doing.
RaverPik
This DJ Team the combines all the Sachsentrance craziness :D since both DJs run the Sachsentrance Label and organize their famous events, widely known for their ecstatic vibes. It's pure Joy!
Adnan
Seine Sets sind geprägt von düsteren, treibenden Beats und hypnotischen Grooves, die sich perfekt für Underground-Partys und nächtliche Dancefloors eignen. Tatendrang ist kein Mainstream-DJ, sondern ein klarer Szene-DJ, der sich auf spezielle, energiegeladene Sounds konzentriert und damit eine loyale Fangemeinde anspricht. Mit viel Gespür für Atmosphäre und Spannungsaufbau nimmt er sein Publikum mit auf eine intensive musikalische Reise.
Mascha
DJ and music producer >>currently hosting MUSTER show every month at @thfradio
Nina
Soundcloud: https://soundcloud.com/ninsnberlin
Wante
Wante (Cologne) is drawn to dark, tunnely sets. With a soft spot for long, atmospheric, break-driven intros, her carefully curated selections evolve into relentless, hypnotic techno with ambient soundscapes.
Rob StrobE
THE SECOND DECADE Born `78 in Germany Rob StrobE grew up and being influenced with classical music, swing and jazz in his childhood. He early discovered the likes of Depeche Mode, Michael Jackson, Kraftwerk and more early electronic music approaches. In his late youth/early adult life he frequently travelled to Frankfurt attending nights at the Omen. Those nights and weekends were filled with DJs like Sven Vaeth, Dj Rush, Chris Liebing, G-Man aka Gez Varley, Hardfloor and so many more, celebrating and transporting the spirit of those days! After the closing of the Omen in late 1998 he went on to clubs like u60311, Tanzhaus West, MTW and others and eventually started his career as professional (sound) technician and light jockey. Around the year 2002 he started music production - mostly for personal fun and recreational purposes - but some records and remixes have been released since then...some of this older work can still be found on his Soundcloud! Since then he developed his own company specialized on music studio technology, room acoustic, signal flow schemes and studio furniture. Meanwhile his own studio transformed from a small Home Studio to a „room-in-room“ environment in the Logic Haus - the former home of Harthouse, Eye-Q and Snap! If he had to describe his musical style and give it a name: it would be „DubHouseTechno with a pinch of Detroit" ;) FastFoward: Year 2021 - after a 7 year break of releasing music, Rob StrobE is back with releases on imprints like Lucidflow, ASrecords, Tantara, Motech and numerous others! Rob used the time to do a major swap from software based production over to the modular and hardware world and the output speaks for itself! Enjoy his music and come pass for a visit on his social media outlets and say „hello“! THANKS FOR YOUR SUPPORT!!! COLLABORATIONS with G-Man aka Gez Varley (Swim/Quo Vadis/UK) Bo_Irion (Conaisseur/FFM) APro (Audio Emissions/FFM) Voodoe (Audio Emissions/FFM) Frank Kusserow (Data Punk/WhiteNoise/FFM) Israel Toledo (ASRecords/Mexico)
Alexeyan
Project Poltergeist Live [Hard Techno, Psytrance, Hard Dance]
Unnamed user
Ey chill mal!!Nix da!!! Denn manche mögen's heiß, und manche mögen's nice.......und Shitstormtechno verliert NIE seine hotte credibility! Lass dich überraschen! N´abend
madonius
An invitation to discover classical music patterns and new music by listening carefully and letting go.
10 Mark DJ Team
SLOWMOTIONDISCOEXPLOSION https://soundcloud.com/10-mark-dj-team
Yazz Ewok
Yazz Ewoks Mischung aus Melodic Techno, Indie Dance und kraftvollem Techno erschafft eine mitreißend wummernde Klanglandschaft. Mit ihrem Sound hat sie bereits auf der Fusion, dem Dockville, dem Habitat und dem 3000 Grad gespielt. Auch in Clubs wie dem Südpol nimmt sie ihr Publikum mit auf eine musikalische Bass-Reise.
Gregor Tresher
In the trend-driven universe of electronic dance music, Gregor Tresher is the rare artist who transcends such cycles. His secret? A relentless focus on melody and timbre, timeless musical elements that other producers often undervalue. Just as a painting or a photograph appears to move if one stares at it long enough, close listening to the stratified grooves and melodies in Tresher's music reveals an organic universe of shifting sound.
Finona Rider
Renowned for vibrant sets and relentless crate-digging, she carries the spirits of the city’s underground. Where dancefloor rush meets quiet mind, she is pretty much into early-2000s minimal, rare electro, house-infused old-school Goa and well deserved bleeps and bloops.
Festnacht
Festnacht is a fixture in Hamburg’s music scene. Together with L.F.T., he has steered the Neoprimitive label and event series for nearly a decade, releasing a broad range of mostly experimental electronic music from artists like Rosaceae, Children of Leir, and Alobhe, and inviting names such as Skee Mask, Anthony Rother, Bloody Mary, and Interstellar Funk to the iconic Golden Pudel Club. His DJ sets span the spectrum of Detroit-rooted techno and electro - always unpredictable, shaped by the night’s energy, and known for his skill in slowly and subtly warming up a room.
bushfya
For the Love of Music. Nothing else.
Afidissima & Alice
Afidissima and Alice, two millennial stereotypes sharing music tips as emotional currency. Gabby radio host Afidissima delivers genre-chaotic sets drenched in dubby vibes and oozing with groove. A relentless cratedigger with questionable priorities. Alice unites musical moments and moods that refuse to be united. Seductive, whimsical, followed by familiar paths, so as not to upset the ear and inner balance. Mixed feelings becoming multiple emotions. Everything as usual – just enhanced momentum.
BarbNerdy
Sharing Means Caring: Most of the music of this series was recorded at a Chaos Event in the last 10 (or more) years. It is time for a new episode: https://soundcloud.com/barbnerdy/sets/mixtape-sharing-means-caring-1
Dj Sloush aka Spitz + Zarrt
The berlin based artist duo is working under different alias solo, in duos or collectives since 2011. They are sound artists, DJs, part of Cashmere Radio (Berlin), curators, event organizers, performers and multimedia artists. “Dj Sloush aka Spitz + Zarrt aka Fellmaus will make you happy. There’s gonna be these sounds coming from the speakers, new otherworldly ones mixed with seemingly familiar yet undiscovered natural feeling waves of moods, or maybe hot and twirling rapid fire bass jumping trippin balls ones. Either way they’ll provide you with a guaranteed enjoyment of the infinite kind.”
Babooshka
Babooshka is Marian Bodenstein, who played with several punk bands such as LASSIE, LAFFF BOX, NICK NORMAL and DBR at the moment. Under the moniker FUZZZGUN Marian is working as a graphic designer for bands, labels and other "multinational corporations". Normally Babooshka would serve you a high octane dance set rooted in 70s power pop, punk and rocknroll but for the CCCChillfloor you’ll get a certain mixture of their favorite relaxin, beautiful and tearjerking tracks, combined with some broken records to serve as analog loops and audioplay records. Babooshka is happy to play records that are normally reserved for the end of an emotional night of dance and shenanigans or even never would see the lights of the dance floor under „normal“ circumstances.
g00d news
g00d news lebt und arbeitet seit 2009 in Hamburg und ist als Vinyl-DJ Teil der lokalen Underground-Szene. Er war langjähriger Resident und Kurator im Golden Pudel Club und ist Mitbetreiber des Plattenladens Remoto-Rec. sowie des Vinyl- und Kassettenlabels V I S mit Fokus auf experimenteller Musik. Seine Sets reichen von Ambient, Experimental und outernationalen Sounds bis hin zu UK-Rave, Darkside Jungle, Hardcore, Breakbeats, Deep Techno und Freetekno. Zudem ist er kuratorisch und organisatorisch im BEEK e.V. aktiv.
Etai Darway
Dj Set Etai Darway
chaeza + doc
Dj Set
Weebz
WEEBZ likes to move between the odds, the rough and the soft: Breakbeat, dissonances, noise and sounds of deep dungeons belong to their mixes as well as the hymns of our hearts Most of the time the genres are mixed to an eclectic collection mirroring own confusions in the spirit of making the unmatching matching xx
Hanni
Fimi&Nush
Felix Kubin
Felix Kubin, funkensprühender Spannungs- und Weltenwandler aus Hamburg, Verachter der Nüchternheit, lenkt die musikalische Kompassnagel Richtung Stolperdisko, Art Pop und „gute Nervmusik“. Das Tanzbein zappelt, aber die Beine laufen in verschiedene Richtungen, denn sie haben sich noch nicht synchronisiert. Hier erklingen Songs am Rande des Nervenzusammenbruchs, "Musik für junge Leute" und alle, die nicht sterben wollen. Vor allem haben es ihm die obskuren Musikversuche der Heimstudios vergangener Fostex-Generationen angetan, die Art Brut und ihre Einfärbungen durch billige, leicht zu demolierende Technologien. Felix Kubins musikalische Adoleszenz wurde durch eine Zeit geprägt, in der sich die Szenen der Kunst und Musik stark durchdrangen und Songtitel wie "Die Gesunden kommen", "Adrenalin lässt das Blut kochen" und "Hosen, die nicht aneinander passen" kein Stirnrunzeln verursachten. Eine Zeit also, in der sich die Popmusik weit aus dem Fenster lehnte und die Luft einer fremden, seltsamen Welt atmete.
Lina & Nele & Peng
Nele, Peng and Lina are set to create a mesmerizing experience on the chillfloor 3c39, blending their unique artistic visions into a cohesive musical journey.Lina, with her innate talent and meticulous attention to detail, weaves ethereal melodies, esoteric rhythms, and wavey melancholy into a rich narrative. As an experienced curator of sound and atmosphere, she infuses her sets with her personal journey and history, selecting tracks that evoke deep emotions and resonate with her favorites.Nele and Peng complement Lina's artistry with their exceptional taste and ability to craft transcendental musical experiences. Each of them brings their unique flair, having proven their skills in various venues, including the renowned Kraniche bei den Elbbrücken.Together, this trio invites the audience to immerse themselves in a harmonious blend of sound, encouraging exploration of consciousness and connection with the ineffable beauty of music and place.
VVVVVAI & Steffen Bennemann
VVVVVAI works with themes of duality, reflection, and temporal transitions. Geminiaquarius is an ongoing investigation into how states change, overlap, and coexist. The practice centers on reduction, attention, and slow unfolding. Steffen Bennemann has been active in the world of music for more than two decades. After many years as curator and promoter (Nachtdigital Festival), label owner (Holger Records) and DJ, he now focusses on his own sounds. Playing solo as well as in various collaborations, these sounds can be anything from Deep Sea Ambient to celestial Techno.
Der feine Schliv
Zwischen Rap, Tanz und Poesie, erschließt Der feine Schliv neue Räume. In ihren Performances changiert sie zwischen provokanten Auf-die-Fresse-Ansagen an das Patriarchat und empathischen Erzählungen vom Versuchen und Scheitern. Sie tritt unter anderem mit dem serbischen Nachwuchs Duo “Slezga” sowie mit den Hamburger Gruppen “Fallbeil” und “Yummy Air”auf. An der Diverstität ihrer Begleitungen zeichnet sich ihr musikalisches Universum ab, von balladigen Conscious Raps, Chansons und Witchy Toasting.
Jeanette
Dj Set
Martin, Fiona, Jil
Der verlängerte Atem pres. Ghost Processes Seit 2020 sendet Der verlängerte Atem regelmäßig auf HALLO:Radio und tourt mit Gastauftritten auf Festivals und Veranstaltungen in und um Hamburg. Als offenes Radiolabor zwischen Musik, Redebeiträgen und thematisch passenden Audio-Snippets, verweben die Vinyl-DJs, Künstlerinnen und Radiomacherinnen Fiona Grassl, Jil Lahr und Martin Ramacher analoge Klänge, Stimmen und Gedanken zu thematischen Sendungen. Für den 39C3 fährt Der Verlängerte Atem das System herunter - und wieder hoch. Und findet dazwischen: Prozesse ohne Besitzer, Threads ohne Aufgaben, Routinen, die längst beendet sein sollten und doch weiterlaufen. Geisterprozesse flüstern im Hintergrund, aktualisieren sich selbst, verlieren den Takt oder schlafen zu tief, um je zurückzukehren. Zwischen knisterndem Vinyl, digitalem Summen, Glitches und verspielten Redebeiträgen entstehen live Sound-Landschaften, in denen nichts ganz verschwindet - und alles wiederkehrt. Spooky.
dingsda
kathadingsda vereint treibende Beats und sanfte Grooves mit dubbigen Elementen und experimentellen Klängen. So entstehen warme, organische Soundwelten, die sich stetig verändern und in Bewegung bleiben.
Nixe
Dj Set
Sassi
service for dance trips ⏰✨💫⏰✨💫⏰✨💫⏰✨💫 zocke für euch housy rave essentials mit nostalgischen vocals und acid lines & mache sachen bei @diskobabel 💕 und @entropiefestival ⚡️
Hamdi
Hamdi (Berlin) House and minimal techno built for immersion. Extended mixes, controlled pacing, and Fog-filled rooms where the story unfolds gradually.
Loui Beton
Lets get besinnlich at the 39C3
Tesa
A DJ duo from Frankfurt playing technoid Dark Disco. Soundcloud: https://on.soundcloud.com/ieVMVNI9qlqR6BNBHh
HolleLang
HolleLang has been supplying the dance floor with his ever evolving personal blend of Dub infected Techno, rooted both in House and flashing Rave music alike. A seasoned vinyl dj HolleLang does not overestimate the medium but focuses on the music and atmosphere. No punishing jockey from the dark side, his sets are known to vibrate with well wishing force and sometimes fierce intensity though while keeping a good sexy groove going. Former resident of well received "No f**ing Day Can Destroy My Love" party series, and long running host of Gumbo Frisst Schmidt/Nachtschleifer radio live broadcast on Hamburg‘s decades old independent station FSK, HolleLang unites both ceremonial dj talent and activist attitude to serve the community. He loves music so much, especially house music ❤️ Look at https://soundcloud.com/hollelang.
Ingo Boss
Ingo Boss