Katika Kühnreich
While the extreme right is on the rise in many countries and climate change is unrolling, a promising future seems to be written: According to Elon Musk, Sam Altman, and some other “tech bros” it is to leave the dying planet to go to space. With the help of something called “A(G)I”. But what kind of future is the one that is promised? And what is the connection between power cycles of tech company owners and people who's believes can be called fascist? As we moved power through data in the hands of very view, it is important to examine what ideas these view have in their heads. This talk will explore the roots of today's tech fascism and its love for tech. From the early thoughts and movements in the US and Europe to Futurism and the Holocaust, organised with Hollerith punching cards. It will dive into the its blooming relationship with cybernetics, and take a look in the future the “tech bros” want to lure us in. This talk will address the often overlooked topic of how and when people get comfy with diving into movements of hate and how to stop a white supremacy future where we will be sorted by machines. And, in taking a look on past movements opposing authoritarianism and will examine mindsets and possibilities of resistance as well as the possibility of restarting everything. Because we have a planet and loved ones to lose. Wear your safety cat-ears, buckle up, it will be a wild, but entertaining ride.
Stefan Pelzer, Philipp Ruch
Es ist genau ein Jahr her, dass der Adenauer SRP+ in der Halle des 38C3 stand. Damals war er noch eine Baustelle, aber schon bald machte er sich auf den Weg, um Geschichte zu schreiben. Wir nehmen euch mit auf eine Reise: von Blockade über Protest, von Sommerinterviews bis zu Polizeischikanen lassen wir ein Jahr Adenauer SRP+ Revue passieren. Das könnte lustig werden. Außerdem: alles zum Walter Lübcke-Memorial-Park, den wir gerade direkt vor die CDU-Zentrale gebaut haben. Owei owei: Das wird viel für 40 Minuten.
Nicolas Rougier
Typography is the art of arranging type to make written language legible, readable, and appealing when displayed. However, for the neophyte, typography is mostly apprehended as the juxtaposition of characters displayed on the screen while for the expert, typography means typeface, scripts, unicode, glyphs, ascender, descender, tracking, hinting, kerning, shaping, weigth, slant, etc. Typography is actually much more than the mere rendering of glyphs and involves many different concepts. If glyph rendering is an important part of the rendering pipeline, it is nonetheless important to have a basic understanding of typography or there’s a known risk at rendering garbage on screen, as it has been seen many times in games, software and operating systems.
Addison
Despite how it's often portrayed in blogs, scientific articles, or corporate test planning, fuzz testing isn't a magic bug printer; just saying "we fuzz our code" says nothing about how _effectively_ it was tested. Yet, how fuzzers and programs interact is deeply mythologised and poorly misunderstood, even by seasoned professionals. This talk analyses a number of recent works and case studies that reveal the relationship between fuzzers, their inputs, and programs to explain _how_ fuzzers work.