Johanna-Leonore Dahlhoff, Peter Klohmann, Alireza Meghrazi Solouklou, Mirweis Neda, Maria Carolina Pardo Reyes, Eduardo Sabella, Sarah Luisa Wurmer, Berivan Canbolat
Das Bridges Kammerorchester hackt die klassische Musikszene, indem es die Regeln des traditionellen Konzertbetriebs aufbricht: Musiker*innen mit und ohne Flucht- und Migrationsbiografie bringen Instrumente wie Oud, Tar, Kamanche oder Daf in die europäische Orchestertradition. Statt überwiegend Werke verstorbener männlicher, europäischer Komponisten zu spielen, komponieren die Mitglieder ihre Musik selbst – ein radikaler Perspektivwechsel hin zu Vielfalt und Selbstbestimmung. Im Vortrag zeigen sie anhand von Hörbeispielen und persönlichen Geschichten, wie diese Hacks entstehen und machen im Anschluss in einem Konzert die musikalische Vielfalt live erlebbar.
Maarten W
The Dutch railways have been operating an increasingly complicated network of trains for over 80 years. The task of overseeing it is far too complex for a single human. As such, a network of specifically scoped humans has been connected. Over time, computers and software have been introduced into the system, but today there is still a significant role for humans. This talk describes the network of "human microservices" that is involved in the Dutch Railways' day to day operation from the eyes of a software developer.
girst (Tobi)
Over the last half year I have explored the Motorola mc14500 - a CPU with a true one-bit architecture - and made it simulate Conway's Game of Life. This talk gives a look into how implementing a design for such a simplistic CPU can work, and how it's possible to address 256 LEDs and half a kiloword of memory with just four bits of address space.
Karim Hamdi
Hegemony Eroding is an ongoing art project exploring how generative AI reflects and distorts cultural representation. Its name speaks to its core ambition: to bear witness to the slow erosion of Western cultural hegemony by exposing the cracks in which other cultures shine through. This talk will discuss the blurry boundary between legitimate cultural representation and prejudice in AI-generated media and how generative AI can be used as a tool to explore humanity's digital foot print. It is permeated by a critique of purely profit-driven AI development and it's tendency to blunt artistic exploration and expression.
Nina
Soundcloud: https://soundcloud.com/ninsnberlin
Wante
Wante (Cologne) is drawn to dark, tunnely sets. With a soft spot for long, atmospheric, break-driven intros, her carefully curated selections evolve into relentless, hypnotic techno with ambient soundscapes.
Rob StrobE
THE SECOND DECADE Born `78 in Germany Rob StrobE grew up and being influenced with classical music, swing and jazz in his childhood. He early discovered the likes of Depeche Mode, Michael Jackson, Kraftwerk and more early electronic music approaches. In his late youth/early adult life he frequently travelled to Frankfurt attending nights at the Omen. Those nights and weekends were filled with DJs like Sven Vaeth, Dj Rush, Chris Liebing, G-Man aka Gez Varley, Hardfloor and so many more, celebrating and transporting the spirit of those days! After the closing of the Omen in late 1998 he went on to clubs like u60311, Tanzhaus West, MTW and others and eventually started his career as professional (sound) technician and light jockey. Around the year 2002 he started music production - mostly for personal fun and recreational purposes - but some records and remixes have been released since then...some of this older work can still be found on his Soundcloud! Since then he developed his own company specialized on music studio technology, room acoustic, signal flow schemes and studio furniture. Meanwhile his own studio transformed from a small Home Studio to a „room-in-room“ environment in the Logic Haus - the former home of Harthouse, Eye-Q and Snap! If he had to describe his musical style and give it a name: it would be „DubHouseTechno with a pinch of Detroit" ;) FastFoward: Year 2021 - after a 7 year break of releasing music, Rob StrobE is back with releases on imprints like Lucidflow, ASrecords, Tantara, Motech and numerous others! Rob used the time to do a major swap from software based production over to the modular and hardware world and the output speaks for itself! Enjoy his music and come pass for a visit on his social media outlets and say „hello“! THANKS FOR YOUR SUPPORT!!! COLLABORATIONS with G-Man aka Gez Varley (Swim/Quo Vadis/UK) Bo_Irion (Conaisseur/FFM) APro (Audio Emissions/FFM) Voodoe (Audio Emissions/FFM) Frank Kusserow (Data Punk/WhiteNoise/FFM) Israel Toledo (ASRecords/Mexico)
Jeanette
Dj Set
Martin, Fiona, Jil
Der verlängerte Atem pres. Ghost Processes Seit 2020 sendet Der verlängerte Atem regelmäßig auf HALLO:Radio und tourt mit Gastauftritten auf Festivals und Veranstaltungen in und um Hamburg. Als offenes Radiolabor zwischen Musik, Redebeiträgen und thematisch passenden Audio-Snippets, verweben die Vinyl-DJs, Künstlerinnen und Radiomacherinnen Fiona Grassl, Jil Lahr und Martin Ramacher analoge Klänge, Stimmen und Gedanken zu thematischen Sendungen. Für den 39C3 fährt Der Verlängerte Atem das System herunter - und wieder hoch. Und findet dazwischen: Prozesse ohne Besitzer, Threads ohne Aufgaben, Routinen, die längst beendet sein sollten und doch weiterlaufen. Geisterprozesse flüstern im Hintergrund, aktualisieren sich selbst, verlieren den Takt oder schlafen zu tief, um je zurückzukehren. Zwischen knisterndem Vinyl, digitalem Summen, Glitches und verspielten Redebeiträgen entstehen live Sound-Landschaften, in denen nichts ganz verschwindet - und alles wiederkehrt. Spooky.
dingsda
kathadingsda vereint treibende Beats und sanfte Grooves mit dubbigen Elementen und experimentellen Klängen. So entstehen warme, organische Soundwelten, die sich stetig verändern und in Bewegung bleiben.
Nixe
Dj Set