Schedule
- Liste
- Kalender
Philo
What does knitting have to do with espionage? Can embroidery help your mental health? This talk shows how the skills to create textile art have enabled people to resist and to persist under oppressive regimes for centuries. And it offers ways to keep doing so.
Leonard
The character of drone wars has changed. The large, cumbersome long-range drones have been complemented with small and low-budget drones. Moreover, more and more states are developing, deploying and selling them. Ten years ago at least 50 states were developing them. At the top are USA, Israel, Turkey, China, Iran and Russia. Russia's attack on Ukraine has unleashed a drone war unlike any seen before. In short time the Ukraine has build significant drone production capabilities and announcement that it will increase its own production of quadcopters and kamikaze drones to one million units per year. German defense companies and startups are now promoting a “drone wall on NATO's eastern flank.” Moreover, despite their vulnerability to air defenses, large drones are also being further developed. They are intended to accompany next generation fighter jets in swarms. In this talk, past and current developments are discussed. What are the perspectives now?
Lyra Rebane
CSS is a programming language, and you can make games in it. Let's install NoScript and make some together!
Bernd
A brief history of typographic misbehavior or intended and unintended uses of variable fonts. Nine years after the introduction of variable fonts, their most exciting uses have little to do with what variable fonts originally were intended for and their original promise of smaller file sizes. The talk looks at how designers turned a pragmatic font format into a field for experimentation — from animated typography and uniwidth button text to pattern fonts and typographic side effects with unintended aesthetics. Using examples from projects such as TypoLabs, Marjoree, Kario (the variable font that’s used as part of the 39C3 visual identity), and Bronco, we’ll explore how variable fonts evolved from efficiency tools into creative systems — and why the most interesting ideas often emerge when technology is used in unintended ways.
Markus (fin) Hametner, Erwin Ernst "eest9" Steinhammer
Jahrelang war die staatliche Intransparenz in Österreich nur eine Punchline in den Congress-Talks von Frag Den Staat. Damit könnte jetzt Schluss sein: seit heuer haben Bürger:innen endlich ein Recht, Dokumente einzusehen und ein Informationsfreiheitsgesetz. Wir zeigen, was Deutschland aus der über ein Jahrzehnt andauernden Kampagne für die Abschaffung des Amtsgeheimnisses lernen kann, wofür uns die Nachbarländer beneiden werden und wofür sich Bayern besonders schämen sollte.
Matthias Monroy
The USA is demanding from all 43 countries in the "Visa Waiver Programme" (VWP), which enables visa-free travel, to conclude an "Enhanced Border Security Partnership" (EBSP). This is intended to grant US authorities direct access to police databases in these - mostly European - countries containing fingerprints, facial images and other personal data. Anyone who refuses this forced "border partnership" faces exclusion from the visa-free travel programme.
Rahel Becker, Anna Kassautzki
Zwischen offenen Briefen, Massenmails, Petitionen und Kaffee trinken : Zwei Ex-Insiderinnen aus dem Digitalausschuss und Bundestag erzählen, wie politische Einflussnahme wirklich funktioniert. Ein ehrlicher Blick hinter die Kulissen parlamentarischer Entscheidungsfindung – mit praktischen Tipps, wie die Zivilgesellschaft ihre Energie dort einsetzt, wo sie wirklich Wirkung entfaltet.
Thomas Knüsel
Milliarden von Kameras produzieren täglich Bilder, die zunehmend von Maschinen analysiert werden. In dieser Lecture Performance beleuchten wir die Entwicklung des maschinellen Sehens – von den frühen algorithmischen Ansätzen bis zu den heutigen Anwendungen – und schauen, wie verschiedene Künstler:innen diese Technologien nutzen und reflektieren. Anhand der beiden Arbeiten „Throwback Environment” und „Fomes Fomentarius Digitalis” betrachten wir die Nutzung des maschinellen Sehens in einem künstlerischen Feedback-Loop. Die Arbeiten machen sichtbar, was die eingesetzten Algorithmen sehen und in welchen Mustern sie operieren.