Schedule
Schedule
Andrei Molodkin, Arianna Mondin
Artist Andrei Molodkin held $45million of art hostage to free Julian Assange. He vowed to dissolve Picasso, Rembrandt, Warhol and other masterpieces in acid using a dead man’s switch device inside a 29-tonne Grade 5 Safe Room if Julian Assange was to die in prison. The talk will explain the process and methodology.
Joschua Knüppe
The public image of dinosaurs is largely shaped by art. While paleontology is a dynamic and productive science, it is primarily through paleoart that our perception of prehistoric life takes form. By combining informed speculation with a deep understanding of anatomy, ecology, and geology, paleoartists continuously reimagine extinct organisms in innovative ways.
Manawyrm
A Deep Dive into WAP, SMS, monophonic ringtones and 1-bit graphics.
Daichi Shimabukuro
In a world dominated by digital communication and the drive toward linguistic unification, the simple act of 'typing' varies significantly across languages and writing systems. For European languages like English and German, typing typically involves a set of about 100 letters and symbols. In contrast, Japanese—and by extension, Okinawan—requires three distinct scripts: hiragana, katakana, and kanji. Each of these adds layers of complexity and cultural depth to written expression. This presentation delves into the development of an input method engine (IME) for Okinawan, an endangered language spoken in Japan's Ryukyuan archipelago. Moving beyond technical challenges, this project reveals how modern digital ‘calligraphy’ intersects with language preservation. Every keystroke becomes a deliberate cultural choice, as the IME reflects the aesthetic and linguistic essence of Okinawan language. Highlighting linguistic expression, cultural significance, and the urgent need for language preservation, this talk presents a model for future digital tools that empower endangered languages and cultures to thrive in the digital realm.
Patrícia J. Reis, Stefanie Wuschitz
We built an Ethical Hardware Kit with a PCB microcontroller made of wild clay retrieved from the forest in Austria and fired on a bonfire. Our conductive tracks use urban-mined silver and all components are re-used from old electronic devices. The microcontroller can compute different inputs and outputs and is totally open source.
Artur Neufeld
Modern 3D capture through Gaussian Splatting and human memory reveal parallel landscapes – where precise centers fade into probabilistic smears at the edges, and gaps hold as much meaning as detail. This is about the preservation of an ephemeral present in digital amber, an interrogation of how we reconstruct both digital and remembered spaces.
kathia
Welchen Einfluss hat die Form der Dinge? Wie wirken wir durch die Gestaltung unseren kulturellen Praxen, Architekturen, Sprachen und Strukturen auf uns und die uns umgebende Zukunft ein? Und warum findet sich in zeitgenössischer Design Theorie ein Verb wie *Futuring*?