Schedule
Schedule
Luzius Bernhard, lizvlx (UBERMORGEN)
UBERMORGEN infiltriert Kunst, Medien und digitale Monokulturen mit subversiver Affirmation. Wie Donald Trump auch, zerstören sie täglich ihr Geschäftsmodell, um daraus radikal neue Lösungen zu schaffen. Anhand von Projekten wie Vote-Auction, Google Will Eat Itself und PMC Wagner Arts dokumentieren sie ihre künstlerische Evolution im Never-Ending Now. Chaos ist ihre Methode, Kunst ihre Neue Ehrlichkeit, Klarheit ihre Waffe.
Karim Hamdi, Katarina Partti, Juho Kostet
It's the 2040’s. The dusty skyline of Helsinki is covered with vertical buildings reaching for the clouds. Autonomous drones deliver messages and items from layer to layer while robots maintain the aerial pathways across buildings. A sense of tension hangs in the air. Somewhere beneath the surface, hackers and corporates wage war over AI. Will they be able to master it, or will the City succumb to a dark technology? **Perhaps you can change the fate of things?**
martin
What do Olaf Scholz, blue ikea bags, Moldova, Deutsche Bank, fine art, and Butyrka Prison have in common? Join us for a brief stroll through the hidden, shady world of large-scale tax fraud, cross-border financial crime, money laundering, and corruption. We’ll examine both common and lesser-known financial exploits, drawing on revelations from journalists, activists, and investigators over the last few decades.
-, Ania Poullain-Majchrzak
After years as a journalist and filmmaker covering topics like crypto, holocaust and showbiz, everything changed for me 3 years ago after the birth of my daughter. While I haven't planned to be a mother, I decided to keep this pregnancy at 41, however this grass turn out to be too high for lawn mower – I was ready to go for a rave, not to be locked in a baby dark room for 3 years. I felt like my brain had been reprogrammed overnight. The analytical mindset I once relied on—quick to analyse, explore, and understand complex topics—seemed to vanish, replaced by a simpler, instinct-driven state that prioritized pure survival and nurturing yet mixed with unhinged chaos, aux naturelle psychedelic downloads plus no sense of inhibition or fear of being seen. Hand cuffed to a rainbow I was gazing at the black clouds. Despite the shock at this involuntarily IQ transplant, I quickly realised this new mind-tool-set was all in all fulfilling and liberating. I became my own fire brigade with an alternative emergency strap-on. Without the pressure to think analytically, I began channelling this raw energy into my joke band PUShY PUShY PUShY, creating what I now call postpartum punk movement. The idea caught on – this summer we have been featured in the Guardian and The New Yorker. This fuels my missionarism towards another level: how can we embrace this wild, intuitive mindset, not only as parents but as people? And could new technologies help us experience or even learn from this state?
Andrei Molodkin, Arianna Mondin
Artist Andrei Molodkin held $45million of art hostage to free Julian Assange. He vowed to dissolve Picasso, Rembrandt, Warhol and other masterpieces in acid using a dead man’s switch device inside a 29-tonne Grade 5 Safe Room if Julian Assange was to die in prison. The talk will explain the process and methodology.
Joschua Knüppe
The public image of dinosaurs is largely shaped by art. While paleontology is a dynamic and productive science, it is primarily through paleoart that our perception of prehistoric life takes form. By combining informed speculation with a deep understanding of anatomy, ecology, and geology, paleoartists continuously reimagine extinct organisms in innovative ways.
Manawyrm
A Deep Dive into WAP, SMS, monophonic ringtones and 1-bit graphics.
Niklas Roy a.k.a. royrobotiks
The talk introduces technology-driven urban art projects that emphasize public participation and creativity. Each project employs a DIY machine to transform public spaces and create art collaboratively. How were these machines built? How do ideas evolve, and how can creative machines foster community connections? Find the answers and get some inspirations in this entertaining and insightful talk by Niklas a.k.a. royrobotiks.
moritz simon geist
In this talk, artist and robotic musician Moritz Simon Geist explores whether robots and avatars can establish an emotional connection with a human audience, and examines the implications this has for arts and culture.
Gunther
Der Vortrag ist ein persönlicher Blick auf die Geschichte, Vielfalt und Entwicklung im Bereich der Flipperautomaten und ist motiviert durch die eigene Begeisterung für diese Form von Unterhaltungstechnik. Geschichte und Geschichten der Geräte wird anhand eigener Erfahrungen, Sammlung und Recherche sowie Geschehnissen und eigene Anwendungen der Geräte (Kauf, Reparatur, Restauration, Modifikation, ...) präsentiert und soll die Faszination und das Interesse dafür wecken oder Interessierte zusammenbringen. Es ist geplant, auch Geräte zum Kongress mitzubringen, die bespielt und/oder im Detail erklärt werden können und vielleicht sogar ein Gerät zum Basteln bereit zu stellen.
Kliment, Morag Hickman
We are a professional electronics designer and a professional artist. We'd like to share our experience of integrating an artist into the design workflow for EMF's 2022 and 2024 event badges, how we ensured that form and function grew together, and how you might make a board so fancy it crashes your PCB vendor’s CAM software.
twena
The exploratory nature of artistic research can aide in the production of knowledge. Sometimes, this takes a detour through music-making mushrooms and making moonshine, sometimes it deals with societal reverberations of AI usage or how lithium extraction affects the planet. This talk gives an insight on how we do technology-assisted artistic research at ZKM | Hertzlab, the artistic research & development department of the Center for Art and Media, Karlsruhe.
Daichi Shimabukuro
In a world dominated by digital communication and the drive toward linguistic unification, the simple act of 'typing' varies significantly across languages and writing systems. For European languages like English and German, typing typically involves a set of about 100 letters and symbols. In contrast, Japanese—and by extension, Okinawan—requires three distinct scripts: hiragana, katakana, and kanji. Each of these adds layers of complexity and cultural depth to written expression. This presentation delves into the development of an input method engine (IME) for Okinawan, an endangered language spoken in Japan's Ryukyuan archipelago. Moving beyond technical challenges, this project reveals how modern digital ‘calligraphy’ intersects with language preservation. Every keystroke becomes a deliberate cultural choice, as the IME reflects the aesthetic and linguistic essence of Okinawan language. Highlighting linguistic expression, cultural significance, and the urgent need for language preservation, this talk presents a model for future digital tools that empower endangered languages and cultures to thrive in the digital realm.
Patrícia J. Reis, Stefanie Wuschitz
We built an Ethical Hardware Kit with a PCB microcontroller made of wild clay retrieved from the forest in Austria and fired on a bonfire. Our conductive tracks use urban-mined silver and all components are re-used from old electronic devices. The microcontroller can compute different inputs and outputs and is totally open source.
Artur Neufeld
Modern 3D capture through Gaussian Splatting and human memory reveal parallel landscapes – where precise centers fade into probabilistic smears at the edges, and gaps hold as much meaning as detail. This is about the preservation of an ephemeral present in digital amber, an interrogation of how we reconstruct both digital and remembered spaces.
kathia
Welchen Einfluss hat die Form der Dinge? Wie wirken wir durch die Gestaltung unseren kulturellen Praxen, Architekturen, Sprachen und Strukturen auf uns und die uns umgebende Zukunft ein? Und warum findet sich in zeitgenössischer Design Theorie ein Verb wie *Futuring*?
Ioana Vreme Moser
This lecture follows the path of an ex-ballerina through fluid computers, handmade semiconductors, and cosmetic synthesisers. We will tackle the seductive side and hidden narratives of circuitry to natural systems, salty fluids, and minerals and discuss the importance of alternative hardware morphologies.
Ting-Chun Liu, Leon-Etienne Kühr
The global chip shortage during the COVID-19 pandemic brought semiconductor production into focus, sparking accelerated efforts to meet the surging demand for digital infrastructure. This phenomenon not only expanded AI capabilities but also introduced unexpected computational artifacts. One such artifact is the word “arafed”, a term absent from any dictionary yet mysteriously appears across contexts from image prompts to Amazon product descriptions. Such unintended linguistic artifacts, born from transformer-based AI models, exemplify how digital artifacts emerge into realities with which we cohabitate. The talk investigates how supply-chains break and AI-words spread from an artistic research perspective. Mapping both the abstract landscapes of embedding spaces, that are filled with emergent words and images, and the tangible, geopolitical realities of global semiconductor supply chains.
Peli Grietzer
One of the basic ways we navigate the world is through ‘feelings of structure’ -- our experience of the inner logic of a system or a situation as a tone, a vibe, a mood. I argue that building a technical analogy between ‘feelings of structures’ and autoencoder neural networks lets us construct a kind of theory of vibe: a theory that lets us see how sets of material (/digital) objects express a worldview and vice versa, and that can explain the deep role art plays in expressing, developing, and challenging our understanding of the world.
Marcin Ratajczyk
This performative lecture by SOLID FLESH Collective explores how generative AI can reshape historical body representations into tools for imagining new bodily futures. Drawing from Muybridge’s chronophotography, which fixed bodies into a rigid scientific grid, we investigate AI’s capacity for fluid, multidimensional embodiment. Using open-source AI models to ‘resurrect’ Muybridge’s subjects and defy commercial censorship, we reveal speculative possibilities for bodily motion and identity. Our work positions the ‘vector body’—a digitally-mediated form of self-imagination—within a broader conversation on identity fluidity, algorithmic embodiment, and liberating futures beyond conventional body ideals.